Published: Jan 6, 2017

Presentación

Nov 24, 2016
11-14
Amilkar Caballero De la Hoz, Eliana Diaz

Remix and Appropriation: Technical Reproduction Arrives to Great Caribbean

Nov 24, 2016
15 - 38
David Martínez Houghton

The Cult of Literacy and the Representation of Bar Language in Bachata del Ángel Caído: Master Narrative of The Dominican Republic During Post-Trujillo Era

Nov 24, 2016
39 - 58
Amilkar Caballero De la Hoz, Eliana Díaz

The Cuban Songbook Between the Literate and the Popular: “La cleptómana” by Acosta and Luna Compared to “La cocainómana” by Matamoros

Nov 24, 2016
59 - 81
Jorge Feble

A música no Processo de formação da identidade afrorreligiosa em uma cidade da Amazônia

Nov 24, 2016
83 - 115
Reginaldo Conceição da Silva

Women in Social Huayno and his Compositions Before, During and After Armed Conflict (1980- 2000) in Peru

Nov 24, 2016
117 - 142
Gysella Jessica Ayre Orellana

The Tones of the Green Moon: The Struggle over the Meaning of the Green Moon Festival in San Andres Island

Nov 24, 2016
143 - 161
Diva Marcela Piamba Tulcán, Eduardo Antonio Silva

The terreiro of Candomblé representedin Afro-Brazilian poetic of Aloisio Resende and Solano Trindade

Nov 24, 2016
163 - 180
Denilson Lima Santos

The Rituals of the Decomposition of the Body in Cuentos fríos by Virgilio Pinera

Nov 24, 2016
181 - 199
Luis Charry

The story of a Man Called Pedro Navaja: The Song Chronicle and the Aesthetics of the Popular

Nov 24, 2016
201 - 217
Jairo Eduardo Soto Molina

Árbitros

Nov 15, 2017
Cuadernos de Literatura
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